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双城记读书感悟100字15篇

时间:2022-04-30 14:10:02 公文范文 来源:网友投稿

双城记读书感悟100字15篇

双城记读书感悟100字篇1

"A tale of two cities" is one of Dickens"s most important representativeworks。The novel profoundly exposed the society contradiction before the FrenchRevolution,intensely attacks the aristocratic social class is dissolute andcruel,and sincerely sympathizes with the depressed classes。The novel alsodescribed many magnificent scenes like the revolt people attacked Bastille andso on,which displayed people"s great strength。 The novel has portrayed manydifferent people。 Doctor Manette is honest and kind but suffers the persecutionactually , Lucie is beautiful and gentle ,Charles is graceful and noble,Lorry isupright and honest ,Sydney is semblance of indifferent, innermost feelings ofwarm,unconventional but also selfless and lofty,Miss Pross is straightforwardand loyal,Evremonde brothers are cruel and sinister。。。。。。The plex hatred is hardto solve, the cruel revenge has made more hatreds, loves rebirth in the helledge,but take the life as the price。 As an outstanding w

riter,in Dickens"s work,the language skill is essential。Each kind ofrhetoric technique,like the analogy,the exaggeration,the contrast,thehumorous,and the taunt are handled skillfully,and the artistry of the work isalso delivered the peak。"A tale of two cities" has its difference with thegeneral historical novel, its character and the main plot are allfictionalizes。With the broad real background of the French Revolution,the authortake the fictional character Doctor Manette"s experience as the mainclue,interweaves the unjust charge, love and revenge three independences butalso incident cross-correlation stories together,the plot is criss-crossed,andthe clue is plex。The author use narrates,foreshadowing,upholstery and so manytechniques,causes the structure integrity and strictness,the plot windinganxious and rich of theatrical nature,it displayed the remarkable artisticskill。the style "A tale of two cities" is solemnity and melancholy,fillsindignantion,but lacks the

humor of the early works。

双城记读书感悟100字篇2

A Love and Hate in A Tale of Two Cities Many have grown fond of the taleinvolving the noble, former Fr ench aristocrat, who had virtually unmatched(except maybe in boo ks) good fortune。 First, his life was saved by the pitifultestimony of a beautiful young woman。 Anyone would gladly have married th isbeautiful too-good-to-be-true-woman he wedded。 It is later seen, however, thatthis man should have married her even if she were u gly as sin。 This was not thecase though, and he married a beautif ul woman, who had an admirer who was adead ringer for her hus band, was a loser, and would give his life to keep herfrom pain, all of which really es in handy when her hubby is on his way to theguillotine。 This is not the story of a man with multiple gua rdian angels, butrather that of a character in Charles Dickens" nove l A Tale of Two Cities。 Askeptic could easily see this as an unbe lievable, idealistic and overratednovel that is too far-fetched。 An u nbiased reader, however, can see

that this is a story of love and ha te, each making up the bare-bones ofthe novel so that one must l ook closely to see Dickens" biases, attempts atpersuasion, and unbe lievable plot-lines, some of which are spawned fromDickens" love and hate, and some of which love and hate are used to develop。

The more lifeless of the characters we are supposed to like--the Ma nettes,Darnay, Lorry-- play their parts in the idyllic fashion Dicken s and like-mindedreaders want, a fashion made inflexible by circu mstances and purposes。"Circumstances and purposes" refers in larg e part to Dickens" state of mind andobjective。 Dickens" intrusive, u nusually editorial point of view, withreferences to "I" and deviatio ns from narration for monologue, reveals thenovel"s slavery to the teachings of his morals--or perhaps his own slavery tothe morals o f his time and Protestantism。 Therefore, can Lucie be any differentfrom the supportive, wholly feminine wife and mother she is? Not if Dickens" isto stick to his obligation, or perhaps obstinate purpos e, of moral teachings。With that aside, what is to be said of Dickens" teaching, his presen tation oflove and hate? They both have one thing in mon: the characters representing eachare unmistakable at a mile away。 The moment Lucie Manette is put before

the reader"s eyes, her tumblin g blond locks, her bright blue eyes, herseventeen-year-old, slight, p retty (but not sexy!) figure and all, he knowsthat, not only will sh e not be a villainous, unlikable character, but she willbe the epito me of the good, beautiful woman (and later housewife), the one Dickens thought every women should be。 At this young woman"s intr oduction withMr。 Lorry, she curtseys to him, and Dickens wastes

no time in pointing out that "young ladies made curtseys in those days"。The introductory scene climaxes at fair Lucie"s fainting, one that, to some,puts her unflawed position into question, although to Dickens, it reinforces it。At the other side of this moral lecture are the Defarges。 Call Dicke ns a masterfor embodying qualities, but here are another flawless pair--flawlessly evil,and sentenced to evil from the moment we see Madame Defarge"s "watchful eye thatseldom seemed to look at a nything, a large hand heavily ringed, a steady face,strong features, and great posure of manner", a stark contrast to the slight,fai nting figure of Mada-- or rather, Miss Manette。 To further turn us againstgood old Madame Defarge, Dickens has her using a toothpi ck publicly in heropening scene, an activity dainty Miss Manette wouldn"t dream of。 Finally, wemustn"t forget the setting。 Lucie ma y have been born in France, but shedefected to England, and trave led from London to meet Mr。 Lorr

y。 Madame Defarge was a Frenc hwoman, born and living amongst peasants whodrank wine scoope d off of mud。 She probably was not taught Dickens" (and hisprima ry English audience"s) Protestant morals in her Catholic nation, andcertainly did not manifest them。

In arguably the book"s first touching scene (some say it"s the one whereCarton is on his way to the guillotine), Lucie goes through much trouble to coaxher father from his insanity, laying her head on his shoulder, and trusting aman she had never met。 When Mad ame Defarge sought vengeance for the cruelinjustice mitted ag ainst her kin, she looked to destroy not only the innocentdescende nt of the culprit, but his family-- an old man, a young woman, an d alittle girl。 These two characters" love and hate are unconditional and total。Did this have to be so? Could not Madame Defarge ha ve showed one bit offemininity, of human kindness? Could Lucie not have stolen a contemptuous glanceat her persecutors? Not with Dickens at the helm。 Lucie and Defarge are createdwith a convic tion, and once Dickens" plot was laid, the blinders he put on hisc haracters allowed only one route。 Perhaps it was a primitive style, but moderncharacters are painted more realistically, with human w eaknesses and

more variability。 Did it have to be so? Could Dicken s have captured morereaders, especially in the long run, if he had pursued more varying actions inhis characters, as well as more h umanness and believability? Does this point toDickens as a flawed writer, with little imagination and ability? Another factorthat must be considered is our inability to criticize a n English--orEnglish-living--character, or to find a modicum of res

pectability in a French one, with two exceptions。 One is the young womanwho is beheaded just before Sydney Carton。 She is the en emy of an enemy, she isgoing to be killed, and she allows Dicke ns to teach another moral using SydneyCarton。 Why not have her happy to die for the benefit of her countrymen, whilenot trembling as she ascends to her death, thereby depriving the mon enemy of asmall victory? With the modern trend of political correctness and anti-racism, aTale of Two Cities written today would never le ave the word processor。 JerryCruncher is about the most sinful of the English (aside from a spy but,remember, he defected to Franc e), and he repents by the end, which counts foranother moral fro m Dickens。 In Dickens" time, racism was not regarded as it istoda y, and so if he wanted to use the French Revolution to send a me ssage tothe population, it was his right, but he may have taken thi s too far for some。Today, Lucie Manette would by no means be taken seriously as

a believable, even likable character。 She persists in fainting at particularly stressful moments, but when her husband is before a heartless, bloodthirstyjury, she looks brave and strong just for him。 In cont ext, this was a screamingcontradiction, but one that Dickens requir ed to portray his Eve。 It is mucheasier to believe Madame Defarg e"s hate than her opposition"s love。 Defarge"ssister was raped and

murdered mercilessly and her brother was killed by a pair heartless"noblemen"。 It is much easier to understand Defarge"s taste for blo od than thecondition of Manette, who, after practicing as a pet ent doctor and actingnormally for years, experiences a recurrence of his mental condition simplybecause his wonderful daughter has left for two weeks, although he has two dearfriends nearby。 Charles Dickens has built an enduring story enjoyed by millions,w hich is loved by experts and critics today although it would be im mediatelybutchered if written by a modern author。 It is a love stor y loved by itscreator, but wholly unbelievable。 It is actually doom ed by its own idealism andunrealistic characters。 As a hate story, i t is much more petent, although alsousing this for its own pur poses。 One can draw one"s own conclusions and ideasfrom such a book, but facts are facts。

双城记读书感悟100字篇3

在小说中,狄更斯成功地塑造了主要人物鲜明的个性。曼内特是个深爱女儿的父亲,在经历磨难后仍宽容地把女儿嫁给仇人的儿子;露西是温柔善良的贤妻良母,为了让丈夫能看自己一眼每天风雨不改地到大墙对面站立两小时;查尔斯是个正直、豁达的贵族,与露西相爱,为了爱情甘愿放弃爵位与财产。  小说中还有一个人物,就是让人有点憎恶的泰雷兹·德伐日。失去亲人使她活着的唯一意义就是革命胜  利之时为亲人报仇。可是等到革命胜利时,她许多年来梦寐以求的复仇却失去了对象,她的愤怒之深是可  以想象的,然而为了发泄积愤却拿侯爵兄弟的儿子及其家人抵罪,她走上了一条与那些伪贵族同样残忍的道路,于是她的种种行为使她一步步失去了读者的谅解。最后,恶人有恶报,她戏剧性地因为枪走火而结束了自己充满仇恨的一生。也许这才是她最佳的结局。那些像德伐日那样以复仇为生活唯一目的的人,即使命运坎坷,也决不能博得人们的同情。

而在整篇小说中,最让我喜欢也是最令人感动的就是律师助手——西德尼·卡尔顿。他一出场就带着一身忧郁,隐去了光芒,总是灰心、失望、冷漠、凄凉。他妥协于周围环境,但有时却又显得格格不入,作为律师助手的他才华出众,却甘心情愿躲在人后,做别人成功的垫脚石,他仿佛亲手筑起了一堵墙,隔绝了名利、社会,默默地逗留在角落里。他与查尔斯长得十分相似,也同样深爱着露西,然而两者命运却截然不同。他羡慕查尔斯,也恨他。可在经历痛苦的煎熬后,他依旧带着诚挚的祝福,愿露西与查尔斯永远幸福,因为“爱比恨更为强有力得多”。这个表面上懒散、放纵的“无用之徒”,内心却是崇高而纯洁的。

终于,他向露西表达了自己的情感。每次读起那段话,难免感到心酸,“我希望你知道你是我灵魂最后的梦。我是在堕落的生活中看见你和你的父亲,还有你所经营的那个甜蜜的家,才恢复了我心中自以为早己死去的往日的梦想。我也因此才感到比任何时候都要凄凉可怜。自从我见到你以后,我才为一种原以为不会再谴责我的悔恨所苦恼。我听到我以为早已永远沉默的往日的声音在悄悄地催我上进…………”

双城记读书感悟100字篇4

“复活在我,生命在我,信我的人,虽然死了,也必复活;凡活着信我的人,必永远不死。”

这是一个不幸的年代,作品以法国大革命为背景,反映了封建贵族对人们的迫害,以及法国大革命的欺压,整部故事情节围绕马奈特医生一家展开描述,其中查尔斯·达内便是法国大革命的受害者,他是一名自愿放弃贵族生活,希望独自在社会上找到地位立足的人,不料,却被指控为逃亡贵族,不幸的他即将被送上断头台,而这时,意想不到的事发生了······

当时,法国人民攻破了巴士底狱,并开始疯狂地惩罚压迫者,这便是著名的法国大革命,他们以德日法夫妇为首,不分青红皂白地把人送上断头台,多么荒唐,只为达成他们每天所订的人头个数。于是,他们便渴望能够让达内为他们增添一个人头,达内有一位兄弟:卡顿,他是一位自甘堕落的律师,他得了绝症,于是便恍恍惚惚地苦熬着剩余的时光,他的哥哥达内常常欺辱他、排斥他,甚至不将卡顿当人看,但就在达内被判下死刑的那一天,只有卡顿来看了他,卡顿迷昏了达内,并用自己改装替代了他,让达内终于逃脱了一死,而自己,却在第二天失去了生命。

这就是爱,朴实,真诚,在兄弟之间,没有你我,你的生命,就是我的生命,爱是互相的,并不需要过多的语言去表达,只需要用行动去证明。在一起生活的兄弟,有时会耍耍脾气,但永远都无法堵上他们心灵之间的那条通道,它是兄弟的见证,爱的奇迹。

在双城记中,作者用大量的笔墨描写了人民的抗争,这也是狄更斯所要揭露的——美与丑,美与丑是相互对应的,但它们却绝非任何人都能分辨出来,“人不可貌相,海水不可斗量。”我们要正确认识到自己或别人的缺陷,并且进行反思、改正,同时,认真地发现周围所有美的事物,用心灵去感受他们。不要被表面所迷惑,更应该做一个正直、善良的人。

双城记读书感悟100字篇5

《双城记》被誉为描写法国大革命的最杰出的代表作,我想最大的原因可能是因为它的与众不同。和其他的作品,比如卡莱尔的《法国大革命》不同,狄更斯更注重的是底层人民的喜怒哀乐。尽管在那个时代,这些小人物本身并不能引起世界的关注。但是作者敏锐的捕捉到这些小人物和大革命有着千丝万缕的联系,可以说法国大革命本身就是有小人物们的.力量所引发的。

在这部作品里,我看到了很多很多不同的人。正直善良却惨遭迫害的马奈特医生,美丽温柔的露西,优雅高尚的查尔斯,忠厚老实的洛瑞,外表冷漠、内心热情,放荡不羁而又无私崇高的西德尼,扭曲了人性的德发奇太太,豪爽忠诚的普洛士小姐,残忍阴险的埃佛瑞蒙兄弟……复杂的仇恨纠缠不清,残忍的复仇制造了更多仇恨,爱在地狱的边缘再生,却是以生命为代价。这错综复杂的一幕幕,活生生的展现在面前,仿佛重现了那个失去理智的时代。

作为一个优秀的作家,在狄更斯的作品里,语言的精彩是必不可少的。各种修辞手法,比喻、夸张、对比、幽默、嘲讽,被运用自如,而作品的艺术性也被送上巅峰。"……于是,克伦彻先生只得再听检察长先生怎样把史蒂夫先生套在陪审团先生们身上的紧身衣又一件件脱下来,翻个底朝天;……最后法官大人站了起来,把那件紧身衣里里外外捣腾了一遍,看得出来,他想为犯人裁剪寿衣。……"诸如此类精彩的段落,作品里比比皆是。于是,作者想要表达的每一个中心,都被体现得淋漓尽致了。我相信这对我们平时的学习,必定是大有帮助的。

有人说,《双城记》是描写了两个男人和一个女人的故事,我却觉得,这样说的人必定没有了解作者真正想表达的意图。如果只是表达了这个,任何一部作品都可以达到露西和查尔斯的水准,那么《双城记》的优势怎么体现出来呢?在我看来,德发奇一家和法国贵族的仇恨也好,露西、查尔斯和西德尼的感情问题也好,都是为了体现一个共同的主题而设的。这个主题就是剖析这场大革命与民众之间的关系,看到底是什么引发了这场革命,到底这场血雨腥风给人们带来了什么。我想这才是作者想要表达的重心所在。

双城记读书感悟100字篇6

《双城记》是一本经典的小说,但因为其明确提出这段革命背景是法国大革命,于是对革命的表现就被认为是作者的历史观。而这正是对小说无数争议的焦点。狄更斯在小说中除了以细腻的笔墨展示了贵族的残忍,同样也展示了革命群众非理性的破坏。他认为,革命是一种压迫代替了另一种压迫,一场直接浓重的血腥暴动替代了另外一场血腥。对攻占巴士底狱以及对暴动民众的一系列描述--血腥,残忍,狡诈,恶毒是小说最为引人注目的地方。

狄更斯把在描述暴民邪恶之处倾心了超多的笔墨,展示了他对暴民的痛恨,从某种层度上能够说是对革命的痛恨。当然,(veryok)作为人道主义者的狄更斯也指出了拯救世界的良药:爱。这种爱,体此刻小说中的包括亲情,感情,友情这种私人间的感情,也包括抛弃贵族,拯救苍生的那种博爱。其中,最为出彩的是对卡顿之爱的描述。我十分喜欢卡顿。实际上,卡顿就是狄更斯的化身,狄更斯正是首先想到了卡顿这个人和他身上的某种精神进而构思成这本小说的。那么,卡顿是怎样样一个人呢?小说中描述:太阳悲悲切切,切切悲悲的冉冉升起,它所照见的景物,没有比这个人更惨的了。他富有才华,情感高尚,却没有施展才华流露情感的机会,不能有所作为,也无力谋取自我的幸福。他深知自我的症结所在,却听天由命,任凭自我年复一年的虚度光阴,消耗殆尽。

这是个自甘堕落湮没了自我的才华和青春的年轻人,为何自甘堕落?小说中似乎并没有交代,自从他一出场就是如此,并且也没有对他的家事背景描述也并不多。个人认为,这个人代表狄更斯自我,因此他无需过多描述--卡顿的堕落,源于自我对日渐堕落的社会的失望。他走上断头台前曾说过,我看到这个时代的邪恶,和造成这一恶果的前一时代的邪恶,逐渐为自我赎了罪而消亡。

双城记读书感悟100字篇7

《双城记》这本书是出自英国作家;秋更斯之手。他还写过《雾都孤儿》《匹克威克外传》等长篇小说和《圣诞故事集》《董贝父子》等短篇小说。

这篇文章主要写了“复活”“金钱”与“暴风雨踪迹”,这三个故事,小说以马泰特医生的曲折遭遇为线索,将冤狱,爱情与复仇三个对立又互相关联的故事交织在一起,用压迫和报复组成的一个故事。

故事中,梅尼特医生从监狱中重获自由和女儿一起到伦敦生活。五年后,他们在法庭上为名叫查尔斯‧代尔那的法国青年做证,露西和代尔那因相爱而结婚。1792年,法国大革命爆发,故事场景转至法国。代尔那因身为贵族后裔而遭逮捕并判死刑,一直爱恋露西的英国青年西得尼‧卡登替他上了断头台。

卡登是书中最富魅力亦最复杂的角色之一。颓废、消极,求学时,他只替同学写作业;出社会后,即使拥有一身才华,它仍然选择为另一名律师工作。但是,在他冷漠的外表下,有著深深的温柔。凭这一斛温柔和对露西的爱,卡登做了一个意义重大的决定---代替代尔那上断头台---用自己的生命换回另一个人的性命,换回一个家庭的幸福和笑颜。这是卡登守护露西的表现,为爱而牺牲,这在那个大时代、甚至现代,是多麼高贵的举动!

有人说,《双城记》是描写了两个男人和一个女人的故事,我却觉得,这样说的人必定没有了解作者真正想表达的意图。

双城记读书感悟100字篇8

为了你,为了你所爱的人,我愿意做任何事。倘若我的生涯中有值得牺牲的可能和机会,我甘愿为你和你所爱的人作出任何牺牲。----------西德尼.卡顿

就这样被感动了。有人说爱情是自私的,但在狄更斯的小说《双城记》中,我能感受到一种超脱世俗的最纯洁、最崇高的爱。它隐藏在内心,但却无比的深厚;它默默地承受与煎熬,为的是使它维系的人幸福;它总是无私地付出,而不求一丁点儿的回报。这种爱在无形中上升到一个新境界,放出凄美而运人的光彩,成为了经典------引起人们对它的重新理解,带给人们最真、最切的情感体验。

它用一连串引人入胜的故事作为杠架,细致地描写了法国大革命的前因后果,成就和错误,而主人公西德尼.卡尔顿、露西.曼内特和查尔斯.达尔内之间的真挚的情感成为亮丽的一笔。

小说中的主要人物有性格都十分鲜明,在每个人的身上蕴含着一种单纯的情感。曼内特是个深爱女儿的父亲,在历经磨难后仍然宽容地将心爱的女儿嫁给仇人的儿子。露西是温柔善良的典型的贤妻良母,为了可能让丈夫看到自己一眼,每天下午风雨无阻地到大墙对面站两个小时。达尔内正直、豁达,是个在当时社会少有的贵族,他为了自己"神圣的目标"和真挚的爱情,放弃了爵位与财产;为了搭救老管家而只身回到险象环生的法国。小说中还有一个人物,也就是那个有点令人憎恶的泰雷兹.德发日了。但是她也是极其悲剧意味的人,失去亲人的悲惨经历使她从一开始就苦大仇深,在她看来,活着的意义就是在革命胜利到来之时为死去的亲人报仇,可是等到革命胜利时,她许多年来梦寐以求的复仇却失去了对象,她的愤怒之深是可以想象的,然而为了发泄积愤却拿侯爵兄弟的儿子及其家人抵罪,她走上了一条与那些伪贵族同样残忍的道路,于是她的种种行为使她一步步失去了读者同情与谅解。而小说的戏剧性在于,泰雷斯因为手枪走火而结束了她那咄咄逼人的生命,也许这才是她最佳的结局。

双城记读书感悟100字篇9

在《双城记》中,我最喜欢的,也是令我最为感动的人是律师助手西德尼.卡尔顿------他的长相与查尔斯.达尔内一模一样,但两者的命运却截然不同。他第一次出现在读者面前就与众不同。当贝勒满法庭上的人若无其事地望着天花板。当观众由于长期的积怨盼望着一场杀人活剧上演,而他的一张字条使精心策划的攻势土崩瓦解。他一出场就带了一身忧郁,隐去了光芒却总是灰心、失望、冷漠、凄凉。他妥协于这个社会却又格格不入,作为律师他才华出众,却心甘情愿躲在人后,做别人成功的垫脚石,他仿佛亲手筑起了一堵墙,隔绝了自己与名、与利、与社会,默默地逗留在角落里。他曾说说:"我是个绝望了的苦力,我不关心世上任何人,也没有任何人关心我。"他的悲剧在于,他太小看自己,似乎有点自卑,因此放任了自己,又因为放任而感到绝望。他是个很有才华,感情深厚的人,却无法用那才华和情感为自己获得幸福。

他爱上了露西,却不愿去追求,他内心的善良使他担心自己"难免使她痛苦,悲哀和侮辱,拖着她一起堕落。"他的爱是无私的,奉献的,他满足于偶尔看看自己朝思暮想的人儿,他羡慕达尔内,他恨他,但在痛苦情绪纠缠中,他依旧带着诚挚的祝福,愿他们永远幸福,因为"爱常常比恨更为强有力得多"。这个表面上懒散,放纵,好贪杯的"无用之徒",内心却是个极崇高,极纯洁的人……

《双城记》的人物和主要情节都是虚构的,却令人着迷至深,着实是不可不读的好书。更精彩的爱恨纠葛也得自己亲身阅读来体悟了。

双城记读书感悟100字篇10

“It was the best of times, and it was the worst of times。 It was the age ofwisdom, and it was the age of foolishness。 It was the epoch of belief, and itwas the epoch of incredulity。 It was the season of light, and it was the seasonof darkness。 It was the spring of hope, and it was the winter of despair。 We hadeverything before us, and we had nothing before us。 We were all going direct toHeaven, and we were all going direct the other way。 In short, the period was sofar like the present period。 That some of its noisiest authorities insisted onits being received, for good or for evil, in the superlative degree of parisononly。 ”

With the beginning of above words, Dickens told us a love story called “ATale of Two Cities”, which is one of his most important representative works。The novel profoundly exposed the society contradiction before the FrenchRevolution, intensely attacks the aristocratic social class is dissolute andcruel, and sincerely sympathizes with the depressed classes。 The novel alsodescribed many magnificent scenes like the revolt people attacked Bastille andso on, which displayed people"s great strength。

The novel has portrayed many different people。 Doctor Manette is honest andkind but suffers the persecution actually , Lucie is beautiful and gentle,Charles is graceful and noble,Lorry is upright and honest ,Sydney is semblanceof indifferent, innermost feelings of warm, unconventional but also selfless andlofty,Miss Pross is straightforward and loyal,Evremonde brothers are cruel andsinister。 The plex hatred is hard to solve, the cruel revenge has made morehatreds, loves rebirth in the hell edge, but take the life as the price。

Among many different kinds of people in the story, it is Sydney Carton whoimpressed me most。

I can’t describe my feeling at the first sight of him。 To tell the truth,he was not eye-catching at that time。 When the readers were immersed in themeeting between Lucie and Charles, he only played a little role as a lawyer whohad the same face with Charles and extricated him from accusation through thispoint。

Then they went to drink。 Without scruple, Carton expressed his dislike toCharles。 Yes, they had the same face。 But they were different。 Carton was alittle lawyer, while Charles was a successful man。 Carton was quite free andeasy, while Charles was graceful and noble。 In fact, they were absolutely twodistinctive men except for their appearance。 Certainly, what Carton cared aboutwas not the wealth or the position, but the love of Lucie。 He realized thatLucie loved Charles, so he was barely out of control at that time。

Every time I read this part, I could feel his sincerity and broad-minded。By no means would he say a lie。 He must tell you what he thinks in the heart。 Itis Sydney Carton, a true man。

After a short time, he can’t resist himself going to see Lucie。 But when hestepped into the small forest, he saw Lucie and Charles getting togetherhappily。 He didn’t rush towards them, however, he returned without a word。Though he had a period of depression after that, he was clear who Lucie lovedwas not him。 So what he only would do was to bless her。

Some days later, he came to meet Lucie again。 He still told Lucie about hislove, although he knew it was useless。 He just wanted her to know it, as hesaid,“I want you to know that you are my last dream in my life。 ”

Many times, love is a thing about only one person。 “I love you。”------It’smy business, not yours。

So when Carton showed his deep love to Lucie, I suddenly felt that this manwas so lovely and deserved to beloved。

“Remember always there’s a man who could give his life to you, or anyoneyou love。” Carton left with these words。 But all of these seemed a sign ofmisfortune。

From then on, I came to understand how profound his love was。 No doubt thatit is the most moving love words in the world。 Although you don’t love me, I amstill there for you or your beloved though thick and thin。

But I knew in this story, Carton was bound to a tragic role。 So when I sawhe only left a view of his back in her wedding, there was a plex mood appearingslowly in my heart。

Some years passed。 When Lucie appeared in the front of Carton, she became amother。 This time, Lucie’s face was filled with anxiety。 Because Charles was inprison and would be killed soon。 What lead to this was the plicated and filthypast。

From the point, the dirty of society was reflected。 It was the sorrow inthat period。 But they must pay for this sorrow。 So it was the time that Cartonachieved his permission。 “I told you once, for you I would do anything。 I will。” He said。

At the last moment, he and Charles exchanged。 That they had the same facehelped them at the second time。 When Lucie and her family left without knowingthe truth, Carton, instead of Charles, went to be killed。

How can we evaluate his action? We can’t say anything about it because allwhat he did was out of love。

As he said to the young girl who panied him before died, “If we have nofear, we can be calm all the way。” He was so calm to greet what would be ingsoon, for she would get her happiness and he loved her forever。

“It is a far, far better thing that I do, than I have ever done; it is afar, far better rest that I go to than I have ever known。” With her face risingbefore his eyes, he went to execution ground calmly。

It is “A Tale of Two Cities”, also a tale of Sydney Carton。

双城记读书感悟100字篇11

《双城记》被誉为描写法国大革命的最杰出的代表作,我想最大的原因可能是因为它的与众不同。和其他的作品,比如卡莱尔的《法国大革命》不同,狄更斯更注重的是底层人民的喜怒哀乐。尽管在那个时代,这些小人物本身并不能引起世界的关注。但是作者敏锐的捕捉到这些小人物和大革命有着千丝万缕的联系,可以说法国大革命本身就是有小人物们的力量所引发的。

在这部作品里,我看到了很多很多不同的人。正直善良却惨遭迫害的马奈特医生,美丽温柔的露西,优雅高尚的查尔斯,忠厚老实的洛瑞,外表冷漠、内心热情,放荡不羁而又无私崇高的西德尼,扭曲了人性的德发奇太太,豪爽忠诚的普洛士小姐,残忍阴险的埃佛瑞蒙兄弟……复杂的仇恨纠缠不清,残忍的复仇制造了更多仇恨,爱在地狱的边缘再生,却是以生命为代价。这错综复杂的一幕幕,活生生的展现在面前,仿佛重现了那个失去理智的时代。

作为一个优秀的作家,在狄更斯的作品里,语言的精彩是必不可少的。各种修辞手法,比喻、夸张、对比、幽默、嘲讽,被运用自如,而作品的艺术性也被送上巅峰。“……于是,克伦彻先生只得再听检察长先生怎样把史蒂夫先生套在陪审团先生们身上的紧身衣又一件件脱下来,翻个底朝天;……最后法官大人站了起来,把那件紧身衣里里外外捣腾了一遍,看得出来,他想为犯人裁剪寿衣。……”诸如此类精彩的段落,作品里比比皆是。于是,作者想要表达的每一个中心,都被体现得淋漓尽致了。我相信这对我们平时的学习,必定是大有帮助的。

双城记读书感悟100字篇12

“这是最好的时代,也是最坏的时代。”这是《双城记》开篇的第一句话,也是让我感触颇深的一句话。这部小说让我感受到革命群众奋起反抗爆发出的伟大力量而震撼,也为他们在革命进一步进行时不分黑白的复仇行为而愤怒;为卡顿对露西真挚无私的爱而感动,也为小说结尾卡顿的美丽憧憬,为他生命的延续而欣慰。

然而这部小说最能打动我的部分却是卡顿对露西珍贵的爱情。它虽然闪现于一时,却持久了一世。爱情,是什么?是包容,是索取?是单纯的占有,还是博大的宽容?这个话题如此陈旧却依旧没有答案。在现在这个物欲横流的世界中,我们总是在想到底有没有长久,有没有无私?“为了你,为了你所亲爱的任何人,我愿意作任何事情。倘若我的生涯中有值得牺牲的可能和机会,我甘愿为你和你所爱的人们而牺牲。”卡顿在《双城记》中给了我们答案,给了一个人应该有的对于爱情的信念。

太多的分离让我们这一代人丧失了对真爱的追求,丧失了很多信心,很多理想。然而卡顿的牺牲却给我留下了难以磨灭的记忆,也唤回了我的很多希望,很多畅想。卡顿对露西的爱是专一的,更是坚定的,在那个动荡的年代,他用自己无私的爱和生命给予了露西一个美好的未来。当他作为查尔斯的替身,平静地接受本不属于他的死亡,安详地走上断头台时,这悲剧的故事便拥有了充满希望的结尾。他崇高的爱,拯救的不只是一个生命,更点亮了自己碌碌无为的一生,在人们心中树立了他一直渴望拥有的果断、坚定的形象。

双城记读书感悟100字篇13

《双城记》是英国作家查尔斯·狄更斯以法国大革命为背景写的一篇小说,它是发生在巴黎和伦敦两个城市之间的故事,所以叫双城记,下面介绍主要人物及关系:

马柰特大夫:故事主人公马奈特大夫初次登场,即已是一具白发苍苍,形容枯槁的活尸,一台只会埋头做鞋的机器,完全丧失了理智和感情。他给人从狱中搭救出来,“死”而复生,逃离曾经那样亏待他的法国。五年之后,已经在伦敦僻静的街角安居乐业,往时遭受迫害的阴影仍频频进逼,骚扰他的梦境。

露茜·马奈特:马奈特医生的女儿,娇小轻盈的漂亮身材,一头丰厚的金发,一双和银行的劳瑞先生的目光相遇时带着询问神情的蓝眼睛,一个具有幼嫩光滑的奇特功能的前额。后和夏尔·达柰结婚。

夏尔·达柰:发育良好,模样端庄,面庞饱受日晒,是一副年轻上等人的派头,他的叔叔埃弗瑞蒙德侯爵曾凭御赐空白捕票断送了马奈特大夫的前半生。

德发日夫妇:巴黎圣安东区一家酒铺的老板,曾是马奈特医生的旧仆。他的酒铺是革命团体秘密联络的据点,但是对太太欲将马奈特大夫一家斩尽杀绝的密谋,他并未染指。

西德尼卡顿:利用貌似达奈的条件,李代桃僵,打破了德发日太太的疯狂的复仇计划

为了深爱的露茜,代替她的丈夫上了断头台。

双城记读书感悟100字篇14

我是读完《双城记》这部文学作品之后立刻写这篇读后感的,真是太精彩了,抑制不住自己内心的激动。特别是读到最后两三章的时候,原先迷茫如大雾般的情节慢慢地似受到初生的阳光而将迷雾驱散后的天空一般明朗起来。怪不得作者狄更斯自述,这部小说使他“深受感动,无比兴奋”,并且渴望能亲自在舞台上扮演西德尼·卡顿。

它没有拯救人民,而是将人民推入了另一个火坑。再来看看另外一位大革命的牺牲品——达内,革命前,他放弃了国内的家业,只身来到英国谋生,在他看来,压迫人民是一件极不人道的事,然而,革命爆发后,他反而无辜地成为人民的敌人,人们不分青红皂白地要将他领上断头台。不过相信在九死一生之后,他依然是原先那个善良的达内。

而卡顿——一个才华横溢却自甘堕落的律师,他与达内有着相同的长相,却有着不同的命运,在面对活着还是让自己心爱的人得到幸福的抉择时,毅然决然的选择了后者,在他看来,生命在爱的面前是微不足道的,即使在断头台上,他也表现出了令人难以想象的沉着冷静。因为在他的心底,一直有一个信念在支持他:“耶稣说,复活在我,生命也在我,信我的人,虽然死了,也必复活。凡活着信我的人,必永远不死。”他用死完成了自我救赎,他用死来反抗虚伪的革命者,他用死来诠释对露丝的爱。生命,成了他最后的武器,爱,成了他唯一的支柱。

双城记读书感悟100字篇15

《双城记》是英国作家查尔斯·狄更斯以法国大革命为背景写的一篇小说,它是发生在巴黎和伦敦两个城市之间的故事,所以叫双城记,下面介绍主要人物及关系:

马柰特大夫:故事主人公马奈特大夫初次登场,即已是一具白发苍苍,形容枯槁的活尸,一台只会埋头做鞋的机器,完全丧失了理智和感情。他给人从狱中搭救出来,“死”而复生,逃离曾经那样亏待他的法国。五年之后,已经在伦敦僻静的街角安居乐业,往时遭受迫害的阴影仍频频进逼,骚扰他的梦境。

露茜·马奈特:马奈特医生的女儿,娇小轻盈的漂亮身材,一头丰厚的金发,一双和银行的劳瑞先生的目光相遇时带着询问神情的蓝眼睛,一个具有幼嫩光滑的奇特功能的前额。后和夏尔·达柰结婚。

夏尔·达柰:发育良好,模样端庄,面庞饱受日晒,是一副年轻上等人的派头,他的叔叔埃弗瑞蒙德侯爵曾凭御赐空白捕票断送了马奈特大夫的前半生。

德发日夫妇:巴黎圣安东区一家酒铺的老板,曾是马奈特医生的旧仆。他的酒铺是革命团体秘密联络的据点,但是对太太欲将马奈特大夫一家斩尽杀绝的密谋,他并未染指。

西德尼卡顿:利用貌似达奈的条件,李代桃僵,打破了德发日太太的疯狂的复仇计划

为了深爱的露茜,代替她的丈夫上了断头台。

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